My Life, текст песни. Лингво- лаборатория Амальгама. Перевод песни имеет возрастное ограничение. Прочитать перевод?
Hook: Adam Levine][Хук: Adam Levine]. My life, my life. Моя жизнь, моя жизнь. Makes me wanna run away.
G-Unit (short for Guerrilla Unit) is an American hip hop group originating from South Jamaica, Queens, New York, formed by longtime friends and East Coast rappers 50 Cent, Tony Yayo and. In April 2008, 50 Cent revealed Young Buck was no longer a part of the group due to his "excessive spending" and "inconsistent . Biz Markie - "Just A Friend " Image Stand & Deliver (MDP) Game Show (MDP) Lori - Divine Wind. Young buck - Dats me. Big Tymers/Manny. . Interview: Young Buck Opens Up About His Fallout and Reconciliation With. All signs pointed to Buck being out of the rap game for good. and I have a mutual friend that I've been dealing with them for years and years just . 01. Young Buck - Enemies To Best Friends Intro 02. Young Buck, Bun B, Jadakiss, Pusha T - Games Pain (Remix) 03. Young Buck - Laugh Now Cry Later 04. Young Buck - Taped Conversation 05.. . 50 Cent On Tony Yayo, Young Buck: "They're Babies". April 14. It's difficult for me because they're my friends and they helped me my entire career—Dre and Jimmy [Iovine. 50 Cent is one of the realist niggaz in the game.
Мне хочется сбежать от неё. There's no place to go. Но скрыться негде. No place to go. Негде спрятаться. All the confusion. Вся эта суета –. It's an illusion like a movie.
![Young Buck And The Game Friends Young Buck And The Game Friends](http://bwanabubba.com/wp-content/uploads/2011/09/Grizzly-Unit-Archery-Lope-WEb.jpg)
One of YoungBuck's friends over SoF2 invited him to try League of Legends, and he initially declined the offer. However, his friend insisted, and the Dutch player installed the game before the Lux release (~ October 2010)..
Лишь обман, как в кино. Got nowhere to go.
![Young Buck And The Game Friends Young Buck And The Game Friends](http://bwanabubba.com/wp-content/uploads/2012/04/Framed-00128.jpg)
Нет места, куда бы я мог уйти. Nowhere to run and hide. Некуда бежать, негде спрятаться. No matter how hard I try. Как бы я ни старался. Verse 1: 5. 0 Cent].
Куплет 1: 5. 0 Cent]. Yeah, ‘0. 3, I went from plain filthy to filthy rich.
![Young Buck And The Game Friends Young Buck And The Game Friends](http://images.athlonsports.com/d/39877-1/PolkHigh.jpg)
![Young Buck And The Game Friends Young Buck And The Game Friends](http://3avbx81zp3fa1ioj491c0im9wnl.wpengine.netdna-cdn.com/wp-content/uploads/2016/04/hunting4.jpg)
Да, в 2. 00. 3 я превратился из обычного го**юка в богатого го**юка. Man, the emotions change. Чувак, чувства переменчивы. So I can never trust a bitch. Так что я никогда не смогу доверять су**ам. I tried to help niggas get on. Я пытался помочь ниггерам подняться.
They turned around and spit. Но они отвернулись от меня и плюнули. Right in my face, so Game and Buck, both can suck a dick.
Мне в лицо, так что, Гейм и Бак, 1 можете оба сосать х**! Now when you hear ‘em it may sound like it's some other shit.
Их музыка теперь несколько х**овее. Cause I'm not writing anymore, they not making hits. Я же больше не пишу для них – вот у них и кончились хиты. I'm far from perfect, there's so many lessons I done learned. Я далёк от совершенства, но уже усвоил много уроков.
If money is evil, look at all the evil I done earned. Если деньги зло, то взгляните, сколько зла я натворил. I'm doing what I'm supposed to, I'm a writer, I'm a fighter.
Я делаю то, что от меня ждут: я сочинитель, я боец. Entrepeneur, fresh out the sewer, watch me maneuver. Я бизнесмен, смотрите, как я, умело лавируя, поднялся из дерьма. What's it to ya? The track I lace it, it's better than basic. Не нравится? Но я хотя бы не штампую свои песни. This is my recovery, my comeback, kid.
Пришла пора моего возрождения, моего возвращения, парень. Verse 2: Eminem]. Куплет 2: Eminem]. While you were sipping your own Kool- Aid getting your buzz heavy. Пока ты угрожал мне, попивая сок. I was in the fucking sheds sharpening my machete. Я затачивал мачете у себя в сарае.
Sipping on some of that revenge juice, getting my taste buds ready. Готовя свои вкусовые рецепторы к утолению жажды мести. To wolf down this spaghetti, or should I say this spaghett- even?
И пожирая ваши макароны, или лучше сказать мака- рожи? I think, you fucking meatballs, keep on just forgetting. Что, б**, пельмени, всё ещё не припомните?
Thought he was finished, motherfucker, it's only the beginning. Думали, что со мной уже покончено? Нет, у**ок, это только начало. He's bugging again, he's straight thugging. Я снова неистовствую, живу по понятиям. Fuck who he's offending!
И мне нас**ть на тех, на кого я раньше обижался. He'll rip your vocal chords out and have them bitches plugged in the.
Я вырву вам голосовые связки, и подключу вас, уродов. Motherfucking wall with 3. К забору под напряжением в 3. Now take the other end of ‘em, then plug them motherfuckers in each. А потом присоединю другой электрод к глазам. One of your eyesockets ‘cause I thought you might finally fucking see.
Каждого из вас, го**оны, чтобы вы, наконец, прозрели. That'll teach you to go voicing your cocksucking opinion to me! Так вы научитесь выражать мне своё пи**рское мнение! I done put my blood, my sweat and my tears in this shit.
Я вкладываю в свою музыку кровь, пот и слёзы. Fuck letting up! You're gonna end up regretting. Распи**елись тут, петухи! Вы скоро пожалеете.
You ever betted against me. Что вообще докапывались до меня. Feels like Imma snap any minute, yeah, it's happening again. Я готов дать всем отпор в любое время, вот и сейчас.
I'm thinking about just saying. Меня так и подмывает крикнуть.
Mother fuck everybody that's up in this bitch, but 5. Е**л я вас тут всех кроме Фифти!". Cause this is all I know, this is why so hard I go. Я могу жить только так, вот почему суров так я.
I swear to God I put my heart and soul. Ей- богу, никто и не подозревает, сколько я отрываю от себя. Into this more than anybody knows. Вкладывая в свои песни. I'm trapped, so all I do is rap.
Я в ловушке, поэтому мне только и остаётся, что читать рэп. But every time I rap I'm more trapped. Но как только я начинаю, я чувствую, что запутываюсь ещё больше. And I rap myself right into this bubble. Я загнал себя им в непроницаемый пузырь. Oh I guess it's bubble wrap.
Думаю, он – от упаковочной плёнки. This is like a vicious cycle, my life's in a crisis. Это порочный круг, в моей жизни кризис. Christ, how was I supposed to know shit would turn up like it did? Господи, как, бл**ь, я мог знать, что всё вот так вот повернётся? Feels like I'm going psycho again.
Кажется, я опять съезжаю с катушек. And I might just blow my lid. Но я просто выпускал пар.
Shit! I almost wish that I would have never made “Recovery”, kid. С**а, я уже почти жалею, что вообще записал "Recovery", 2. Cause I'm running in circles with.. Ведь теперь хождение по кругу это – .. Verse 3: 5. 0 Cent]. Куплет 3: 5. 0 Cent].
I haven't been this fucking confused since I was a kid. Меня так не обижали с самого детства. Sold like 4. 0 million records. Я продал где- то сорок миллионов альбомов. People forgot what I did.
Но все об этом как- то позабыли. Maybe this is for me, maybe. Может, такая у меня судьба, может быть. Maybe I'm supposed to go crazy. А может быть, я должен окончательно сбрендить. Maybe I'll do it 3 AM in the morning like Shady. Может, я устрою резню в 3 часа ночи, как Шейди.
Psycho killer, Michael Myers. Я сумасшедший убийца, как Майкл Майерс, 4.
I'm on fire like a lighter. Весь горю, как зажигалка. Try to say this ain't classic. Хочешь сказать, что эта х**нь не станет классикой –. Get your ass kicked mad quick.
Я быстро наваляю тебе. Wrap your head up in plastic, pussy. Суну твою башку в пластиковый пакет, слабак. Now pick the casket, dirt nap with the maggots. А теперь выбирай себе гроб и отправляйся на корм червям. It's tragic, it's sad, it's.
Печально и досадно, что. Never gonna end, now we number one again. Даже сейчас, когда мы вновь первые, злобные выражения лиц. With that frown on your face, and your heart full of hate.
Не меняются, и ненависть не покидает ваших сердец. Accept it, respect it. Примите это, уважайте это. This a gift, God given, like the air in the lungs. Это дар Господень, как воздух, которым дышит. Of every fucking thing living. Каждое живое существо.
Хип- хоп исполнители Game и Young Buck ранее были подписаны на лейбл 5. Cent'а G- Unit, но позднее со скандалом расторгли контракт. Конфликт перерос в песенное противостояние, так называемый "биф". Седьмой и на данный момент последний студийный альбом Эминема.
Отсылка к песне Эминема "3 a. Вымышленный персонаж фильмов серии "Хэллоуин", маньяк- убийца и психопат, одержимый духом Самайна.
G- Unit's Young Buck & Tony Yayo Discuss Hip Hop's Masculinity, The Police, & Staying Focused. Losing the figurative (and sometimes literal) bulletproof allure of invincibility may have been the best thing that ever happened to G- Unit. At their peak — when individual members each boasted of their own top ten Billboard debuts — they sometimes carried the perception of petulant bullies. People’s kids got mushed in public. There were unprovoked insults hurled at established artists, talk of adult films, and no apologies made. Popular culture equally loves to worship and tear down its heroes.
But was G- Unit ever torn down? Game was dismissed from the crew amid seemingly over- dramatized charges of disloyalty and some very real gunfire. Young Buck had a very public falling out with 5. Cent before dealing with his own legal issues and spending 1. But if you’re Lloyd Banks and Tony Yayo, and the worst thing that happens is having your childhood friend (who just so happens to be 5.
Cent) compare you to spoiled milk, you’re still kind of winning, right? It certainly seemed that way after Banks, Yayo, Buck and Kidd Kidd joined 5. Cent at the 2. 01. Summer Jam to reform G- Unit. This is the entertainment world’s complicated dance between perception and reality. We’re not really sure how to value authenticity within Hip Hop anymore.
But for a group that’s always hung a figurative fitted cap on being real, some visible familial quarrels and a respectable but not commercially spectacular Sound. Scan number of 1. G- Unit’s collective appeal. Maybe the men behind titles like Beg For Mercy and Terminate On Sight benefitted from being somewhat humanized.
On the heels of the March 3 release of The Beast Is G- Unit, Tony Yayo and Young Buck weighed in on social commentary, how they think they’re perceived, and aspirations of continued longevity within the game. G – Unit Reacts To The Changing Album Landscape. Hip. Hop. DX: There was a time earlier in the game when you guys would come out the gate doing 2. Sound. Scan numbers. Obviously, a lot of things in the industry changed.
What adjustments have you made? Tony Yayo: I think it was like ’0. Record sales just started changing in general, especially with the Internet. I think we just accepted it. The first couple of times, we probably thought it was bad, but it wasn’t. Records wasn’t selling for anybody at that point right there.
The game just transitioned, and now more people might just buy the single versus the whole album. A lot of artists are independent now and sell things on i. Tunes and other stuff to generate money and get themselves hot. It’s just like a whole new game. DX: How about the actual recording process? When you dropped “Rider Pt. Young Buck: Most of the energy in Rap is coming from the clubs, and most of the hit records you find are records that are actually party records or records that can be played in the club.
I just feel like it’s a system where the Internet is such a broad tool in the industry, you actually don’t know what record could be a hit or what’s gonna catch. It’s almost like a testing ground with all these different sites, Instagram, and Twitter.
It actually makes it easier, because you’re able to put records out and see the fans’ reaction. From the very beginning, when G- Unit started releasing hit records, there wasn’t so many media outlets as there are now. I think My. Space was really just starting to move, but we didn’t experience marketing and promoting with some of the tools that are here now. Things that would harm other artists—for us being established, platinum artists—it’s dangerous with us having so many media outlets. We’re so established, and we became established without any of this. DX: You mentioned the club.
When you listen to “Life,” it’s got that club appeal, but it’s a hard texture to the record. How important is it to strike that balance with a record that appeals to clubs and still has that edge? Young Buck: That’s always been G- Unit, and that’s what makes us. We mix the reality and the real life music with everything that we do.
If you have a club- feeling record, or a record that has that energy, you still get those real life verses and those things that come along with G- Unit on party- driven tracks. It’s something that’s different, and it separates us from a lot of the other artists out. It always has, because that’s the G- Unit sound. G- Unit Comments On The Decline Of “Masculinity” In Some Hip Hop.
DX: How much of a market is there for “real life” when masculinity seems to be in decline? There’s a perception among your fans that G- Unit needs to come through when things get too pretty and we start seeing skinny jeans and leather pants. How much does the perception match reality? Tony Yayo: I think it’s all God’s plan. Us getting back together for the reunion, it feels good ever since we did Summer Jam last year. Everything has just been rollin’.
We know that with G- Unit and our street credibility, we’re known for not playing a lot of games. Like you said, it’s perfect timing because the game got kind of soft in a way. As for the way fashion and everything goes, sometimes you feel like it made the game a little bit soft with some of the stuff people were wearing like tight jeans and stuff. But people from our era, and younger people, they’re not with it. Some people are with it, and you have to have your own fashion sense.
But when dudes are wearing dresses and stuff, it gets a little too crazy for me. Young Buck: Word.“It’s About The Marathon,” Says G- Unit & Reactions To Michael Brown. DX: During your interview with Whoo Kid, you guys talked about being elder statesmen.
Being 1. 2 and 1. Tony Yayo: A wise man once told me… Rest in peace to [Interscope Director of Video Promotions] Herve [Romain]. He was one of the hardest guys that worked at Interscope Records. He always told me it’s about the marathon. It’s not about the now.
It’s about the marathon. That was 1. 0 years ago that he told me that, and we’re still here. It’s a dream to me that people come up to me and actually want to take a picture with me. Being from the hood in Southside Jamaica Queens, this is a dream.
I remember listening to. Get Rich Or Die Tryin’and making music in 5. This is big for us.
Groups like Wu- Tang are definitely respected. They’re the super OGs, and people will still book them for shows and want to book Ghostface and Raekwon as well as everybody else in the Clan. Young Buck: Even Bun B. He just came through and left from out of here showing us love. Guys like him and Scarface are the OGs. Tony Yayo: Yeah, their music is gonna last forever.
Certain people’s music lasts forever. Look at Jay. Jay was rhyming with B. I. G., and he’s still here rhyming his ass off. So certain people’s music lasts forever, and I feel G- Unit is in that category as well as D- Block and Dipset.
For New York City, I feel like those guys will forever be loved and can make music forever. DX: Part of that longevity is being bigger than the music. When you speak on Michael Brown or Eric Garner, how important is it for people to know you’re in tune with those issues? Tony Yayo: The Mike Brown situation is crazy too. Buck, Kidd Kidd, and 5. Ahhh Shit” record. That’s just them being in the studio, seeing it on the news, and deciding to say something about it.
I respect them for that. DX: As far as those records are concerned, how much of an advantage is it to be able to immediately speak on something like that without waiting…Tony Yayo: That’s the advantage of the Internet.
I used to feel like records were exclusives, and only certain DJs could get them. Now every DJ can get a record. It felt like you used to get that crazy exclusive.
So, it’s kind of like a gift and a curse because it feels like nothing is exclusive no more. But at the same time, you can drop a record, and it can be in Japan, Germany, Africa, or Morocco by tomorrow.
How G- Unit Fans Kept The Crew Going & Bucking Perceptions. DX: Regardless of the profession, you see things in your industry that you don’t really like. What’s kept you guys from getting jaded or dissatisfied with the game? Young Buck: Just the excitement of the music, man. Tony Yayo: I would say the fans keep me going. And our G- Unit fans never went anywhere. Our core fans have been there.
Record sales are different, and everybody got hit with record sales. But I feel like our fans been there from day one.
When I drop mixtapes like Gun Powder Guru or El Chapo, I can go overseas and somebody in New Zealand has that mixtape. That’s the best thing about the Internet to me. That music gets to them people all around the world that are really fans and really love your music. Your fans make you. If it wasn’t for the fans, what would any artist have?
They wouldn’t have shit. There is no color barrier in fuckin’ music. When we go to Brazil, people can’t even speak English, but they know the records.
That’s fuckin’ amazing! I haven’t said no to a picture in my whole career, and I don’t care if I’m in the supermarket in my pajamas. I’m gonna take a fuckin’ picture with you, because I still can’t believe in my mind how far we made it. All of us. Music marks time, and there are so many older people now who come up to us and say, “Yo, I grew up to y’all.” I can listen to Illmatic or “The Purple Tape,” and it brings me back to a time when I was younger. It’s classic Hip Hop.
DX: People on the outside might not get that impression. There seemed to be a perception that G- Unit didn’t respect the game. Tony Yayo: I think sometimes the issues overcloud a lot of shit. Let me give you a perfect example. I’m a Wu- Tang fan. One day, 5. 0 had a interview.
God bless the dead, my man Lodi Mack was talking about how somebody supposedly did some writing for “The Purple Tape.” I didn’t say anything about it. From that, the media took it and spun it like, “Yayo said Ghostface didn’t write his album.” And Ghostface had words with me or whatever.
He’s still a legend. I still love that tape. Ghost and Rae are like two of my favorite rappers. A lot of people don’t know.